Mauro Chair: 1 + Ash
Mauro Chair: 1 + Ash
Mauro Chair: 1 + Stained Ash Wenge
Mauro Chair: 1 + Stained Ash Wenge
Mauro Chair: 1 + Oiled Oak
Mauro Chair: 1 + Oiled Oak
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
Mauro Chair
insitu
insitu
insitu
insitu

Established & Sons × Mauro Pasquinelli

Mauro Chair

$960 – $2,250

$960 – $2,250

$960 – $2,250

$960 – $2,250

$960 – $2,250

$960 – $2,250

$960 – $2,250

$960

SKU: EST-6309

Average lead time: 4-6 weeks

$960

SKU: EST-6456

Average lead time: 4-6 weeks

$1,150

SKU: EST-6311

Average lead time: 4-6 weeks

$1,900

SKU: EST-6494

Average lead time: 4-6 weeks

$1,900

SKU: EST-6496

Average lead time: 4-6 weeks

$2,250

SKU: EST-6497

Average lead time: 4-6 weeks

$960

SKU: EST-7248

Average lead time: 4-6 weeks

$1,900

SKU: EST-7251

Average lead time: 4-6 weeks


Description

This hardworking, irrepressibly stylish and stackable wood chair—named for its renowned designer Mauro Pasquinelli—was first created as a prototype in 1976 but thought too ambitious for wider distribution at the time. Now, with computer-assisted production, Established & Sons brings the chair to the market for the first time. Built in Manzano in northern Italy, a global hub for high-quality furniture-making, the understated seating is available in the finest European oak or solid ash,  with an air of comfort and functionality that makes it ideal in a wide variety of settings. 

Specifications

Size

  • 30.3" h x 20.3" w x 19.3" d (77x51.5x49cm)
  • Seat height: 17.7" (45cm)

Material

Oak or ash veneer plywood

Details

Stackable

insitu
insitu

Brand

Established & Sons

“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”

Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.

A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.

E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.


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