Grid Corner Sofa: Left-Hand-Facing Seat Upholstered
Grid Corner Sofa: Left-Hand-Facing Seat Upholstered

Established & Sons × Ronan + Erwan Bouroullec

Grid Corner Sofa: Left-Hand-Facing Seat Upholstered

$9,900 – $15,600

$9,900 – $15,600

$9,900 – $15,600

$9,900 – $15,600

$9,900 – $15,600

$9,900 – $15,600

$9,900 – $15,600

$9,900

SKU: EST-6716

Select Upholstery Options
Average lead time: 4-6 weeks

$13,000

SKU: EST-6717

Select Upholstery Options
Average lead time: 4-6 weeks

$13,800

SKU: EST-6718

Select Upholstery Options
Average lead time: 4-6 weeks

$14,700

SKU: EST-6719

Select Upholstery Options
Average lead time: 4-6 weeks

$10,800

SKU: EST-6732

Select Upholstery Options
Average lead time: 4-6 weeks

$13,800

SKU: EST-6733

Select Upholstery Options
Average lead time: 4-6 weeks

$14,700

SKU: EST-6734

Select Upholstery Options
Average lead time: 4-6 weeks

$15,600

SKU: EST-6735

Select Upholstery Options
Average lead time: 4-6 weeks


Description

In this variation on Grid, the modular system's elemental L-shaped sofa features upholstered seating on one side and a low surface on the other, ideal as a platform for electronics. Extending 2.5 meters on both sides, the powder-coated steel framework's outer back and side panels are available in a choice of upholstery, larch wood or a metal grid. Design duo Ronan & Erwan Bouroullec developed the innovative room-within-a room concept with multiple options for a customized configuration as a nod to the increasingly fluid boundaries between home, leisure and the workplace. 

Specifications

Size

  • 32.8" h x 112" w x 97.8" w (83x284x248cm)
  • Seat height: 16.1" (41cm)

Material

Powder coated mild steel, plywood, larch veneer plywood, polyurethane foam, fabric upholstery

Details

  • Category 1: Maya, Atlas
  • Category 3: Raas, Hallingdal 65
  • COM and COL available on request

Brand

Established & Sons

“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”

Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.

A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.

E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.

Designer

Ronan + Erwan Bouroullec

“There’s always teamwork in design,” says Erwan Bouroullec and he would know as half of the acclaimed creative duo with brother Ronan. “For most designers, the first time they have to explain or justify their work is to the manufacturer,” he says. “By then, we’ve spent weeks, maybe months, arguing over the tiniest details.” Born in Brittany, the brothers Bouroullec are among the brightest lights in European furniture design, heralded as the biggest French presence since 1980s icon Philippe Starck.

Fellow designer Jasper Morrison praises the brothers’ work as “thoughtful and disciplined, with a real spirit and poetry.” Recently awarded the prestigious London Design Medal, they’ve been showcased at venues as diverse as Los Angeles’ own Museum of Contemporary Art, Villa Noailles in Hyeres and the Victoria and Albert Museum in London. Their most successful design projects are often the most contentious, Ronan says. “Usually our work is strongest when we disagree, because that’s when we push each other to go further.”

Photo credit: ©Morgane Le Gall

 

 


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