Udukuri Dining Table: Large - 105
Udukuri Dining Table: Large - 105" + Ruby Red
Udukuri Dining Table: Small - 94.4
Udukuri Dining Table: Small - 94.4" + Ruby Red
Udukuri Dining Table
Udukuri Dining Table
Udukuri Dining Table
Udukuri Dining Table
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Established & Sons × Jo Nagasaka

Udukuri Dining Table

$17,300 – $19,900

$17,300 – $19,900

$17,300 – $19,900

$17,300 – $19,900

$17,300 – $19,900

$17,300 – $19,900

$17,300 – $19,900

$17,300

SKU: EST-5944

Average lead time: 4-6 weeks

$17,300

SKU: EST-6555

Average lead time: 4-6 weeks

$17,300

SKU: EST-5945

Average lead time: 4-6 weeks

$17,300

SKU: EST-5946

Average lead time: 4-6 weeks

$19,900

SKU: EST-4782

Average lead time: 4-6 weeks

$19,900

SKU: EST-7014

Average lead time: 4-6 weeks

$19,900

SKU: EST-4783

Average lead time: 4-6 weeks

$19,900

SKU: EST-4781

Average lead time: 4-6 weeks


Description

When light hits Established & Sons' liquid-like tabletop, the glossy pigmented surface glows with a gleaming reflection from its polished expanse. Udukuri by Tokyo-based designer Jo Nagasaka is named after the Japanese technique of hand-carving away the surface of wood, in this case Douglas fir,  to reveal the grain. Covered with bright epoxy resin in a choice of saturated hues, the plank-style table has a natural-finish base.

Specification

Size

  • Small: 29" h x 94.4" w 39" d (73x240x100cm)
  • Large: 29" h x 105" w x 39" d (73x268x100cm)

Material

Solid ash wood, douglas fir, epoxy resin

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Brand

Established & Sons

“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”

Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.

A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.

E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.


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