Drift Bench: Satin Matte White
Drift Bench: High Gloss Black
Drift Bench: High Gloss Black
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Drift Bench: Satin Matte White
Drift Bench: Satin Matte White
Drift Bench: High Gloss Black
Drift Bench: High Gloss Black
Drift Bench: High Gloss Black
Drift Bench: High Gloss Black
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Established & Sons × Amanda Levete

Drift Bench

$39,000 - $43,200



Description

From one of Britain’s leading creatives, architect Amanda Levite’s organic, sensual Limited Edition statement piece for Established & Sons was inspired by a piece of driftwood. With its complex curves and angles, Drift serves multiple functions as a bench or table for flexible spaces. Digital technology is used to cut and carve out the meandering form, which is then completed in a handcrafted artisan process and given a final satin or high-gloss finish.

Specification

Size

16.5" h x 113.4" w x 34.3" d (42x288x87cm)

Material

Glass reinforced polyester

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Brand

Established & Sons

“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”

Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.

A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.

E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.


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