Table Dining Table Small: 70.8" + Square + Black Linoleum
Table Dining Table Small: 70.8" + Square + Glacier White Corian
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Table Dining Table Small: 70.8" + Square + Black Linoleum
Table Dining Table Small: 70.8" + Square + Black Linoleum
Table Dining Table Small: 70.8" + Square + Glacier White Corian
Table Dining Table Small: 70.8" + Square + Glacier White Corian
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Established & Sons × Caruso St John

Table Dining Table

$12,600 - $15,000



Description

While its straightforward lines and rectilinear shape reflect its prosaic name, British architectural partnership Caruso St John gives Table a twist by creating it out of engineered timber. It's a refined and innovative use of common lumber board, the derivative wood product usually seen in temporary fences around construction sites. The everyday material resembling plywood yields a piece that is stylish and durable, yet largely unseen in furniture design. Table from Established & Sons is available with a white Corian or black linoleum surface.

Specification

Size

  • Small: 29.5" h x 78.7" w x 35.4" d (75x200x90cm)
  • Medium: 29.5" h x 86.6" w x 35.4" d (75x220x90cm)
  • Large: 29.5" h x 94.5" w x 35.4" d (75x240x90cm)

Material

Spruce lumber tri-board, linoleum, corian

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Brand

Established & Sons

“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”

Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.

A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.

E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.


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