Crawford Coffee Table: Walnut Stained Ash
Crawford Coffee Table: Walnut Stained Ash

Stellar Works × Tom Fereday

Crawford Coffee Table

$628 – $886

$628 – $886

$628 – $886

$628 – $886

$628 – $886

$628 – $886

$628 – $886

$628 – $886

$628 – $886

$628 – $886

$628

SKU: SW-CR-T210-650-WAL-ASH

Average lead time: 10-12 weeks

$628

SKU: SW-CR-T210-650-DKBR-ASH

Average lead time: 10-12 weeks

$628

SKU: SW-CR-T210-650-BLK-ASH

Average lead time: 10-12 weeks

$628

SKU: SW-CR-T210-650-WHT-ASH

Average lead time: 10-12 weeks

$628

SKU: SW-CR-T210-650-GRY-ASH

Average lead time: 10-12 weeks

$640

SKU: SW-CR-T210-650-SOA-WAL

Average lead time: 10-12 weeks

$640

SKU: SW-CR-T210-650-NAT-WAL

Average lead time: 10-12 weeks

$849

SKU: SW-CR-T210-900-WAL-ASH

Average lead time: 10-12 weeks

$849

SKU: SW-CR-T210-900-DKBR-ASH

Average lead time: 10-12 weeks

$849

SKU: SW-CR-T210-900-BLK-ASH

Average lead time: 10-12 weeks

$849

SKU: SW-CR-T210-900-WHT-ASH

Average lead time: 10-12 weeks

$849

SKU: SW-CR-T210-900-GRY-ASH

Average lead time: 10-12 weeks

$886

SKU: SW-CR-T210-900-SOA-WAL

Average lead time: 10-12 weeks

$886

SKU: SW-CR-T210-900-NAT-WAL

Average lead time: 10-12 weeks


Description

Sydney-based designer Tom Fereday plays up the intriguing contrast of natural timber with forged steel in a spare but refined coffee table. From his Crawford collection produced in tandem with Asia Pacific partners Stellar Works and retailer Lane Crawford, the piece represents a fusion of cultures with its round veneer laminate tabletop with inset brass ring detail and the black powder-coated frame. The nuanced design is achieved with painstaking craftsmanship and an attention to sustainability, with the use of FSC-rated wood and expression of timeless quality. 

Specifications

Size

  • Small: 17.71" h x 25.59" w x 25.59" d (45x65x65cm)
  • Large: 13.78" h x 35.43" w x 35.43" d (35x90x90cm)

Material

Veneer laminate, steel, stainless steel brass ring

Brand

Stellar Works

Craftsmanship is at the heart of Stellar Works since a couple of design enthusiasts from France and Japan launched the line in 2013. Operations benefit from Japanese management, while the craftsmanship draws on premium European furniture practices and technical proficiency that comes with the brand’s own state-of-the-art factory in Shanghai, China.

Because Stellar Works controls end to end, it takes great pride in abiding to Japan’s Four-Star standards—the most stringent in the industry worldwide—offering transparency regarding the sourcing of every material, be it leather, metal or fabric, along with ensuring that all woods come from FSC-certified forests.

The line’s urbane sense of materials, colorways and forms is a reflection of a global roster that includes New York designer-architect David Rockwell, Toronto’s Yabu Pushelberg, Copenhagen’s Space Copenhagen and Monaco-based Humbert & Poyet—along with an exacting Asian lens by appointing Chinese duo Lyndon Neri and Rossana Hu—widely known as Neri&Hu—as creative directors for the brand.

Designer

Tom Fereday

Australian by birth and now located in Sydney after an education in England, designer Tom Fereday has turned out everything from both indoor and outdoor furnishings to lighting to electronics and even a wristwatch in his relatively short but much-awarded career. “For me, the process is the same,” he says. “If there is a problem or a project, it must be solved in the most elegant way possible that results in a product that is both desirable and positive.” For him that means celebrating the raw beauty of natural materials and old-school manufacturing techniques, which has led to collaborations with a number of luxury brands like Louis Vuitton and and Lane Crawford.

At A+R, Tom’s work is represented in the debut outdoor range for SP01 as well as refined wood pieces for Stellar Works. “The SP01 Outdoor Collection focuses on bent metal wire as the main material with a mix of marble and wood added in,” he says. “Overall, each piece has a minimal aesthetic but a closer look reveals elegant details that allow this collection to be used indoors as well.” And, the designer adds, he always keeps longevity at top of mind. “I tend to prefer natural colors or quietly subtle, elegant colors that you feel comfortable to look at for a long time,” he says. “Mainly, colors that are not driven by seasonal taste or trends.”


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