Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
Wingback Long Ottoman
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Wingback Long Ottoman
Wingback Long Ottoman
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Wingback Long Ottoman
Wingback Long Ottoman

Wingback Long Ottoman

$1,600 – $1,800
SKU: TD-WBL01BLA
Leg Finish
CLICK HERE to select fabric
Group
Average lead time: 4-6 weeks


Description

Tom Dixon's particular genius is evident in his Wingback Long Ottoman. After all, why doesn't his sofa in the same furnishing series deserve its own supersize footrest? This upholstered accompaniment comes in the same range of elevated Kvadrat textiles as the seating, with a choice of wood or metal-clad legs to match.

Specifications

Size

18" h x 43" w x 22" d (46x110x55cm)

Material

Steel, foam, upholstery, wood

Details

  • Upholstery Group A: Hero
  • Upholstery Group B: Divina 3, Divina Melange 2, Steelcut 2, Steelcut Trio 2, Tonus 4
  • Upholstery Group C: Hallingdal 65, Divina MD, Melange Nap, Tonica 2, Gentle

Contact us for more information on available upholstery options

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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” says self-taught British designer Tom Dixon. “I just have ideas and I want to see what happens if I put them out there.” Tom’s errant first stab at creativity was playing bass in a 1980s disco group. Then a stint honing his welding skills in a auto body repair shop eventually led to his design breakthrough for Cappellini with the iconic S Chair. With products in more than 60 countries today, his contemporary lighting, furniture, tabletop and barware ranges and accessories have been “put out there” to wide acclaim.

Based in Portobello, London, the Tom Dixon brand launches new collections of lighting and furniture biannually in Milan and London. “What’s interesting about the modern world [is that] you don’t need to attract large amounts of people globally to be a successful designer,” Tom says. “You can be quite focused and do specific work and people will come to you if they’re attracted to it.”


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