New Zealand designer David Trubridge makes the case that beautiful lighting and environmental responsibility aren't separate conversations. His sculptural pendants are cut from sustainably sourced bamboo ply and flat-packed to ship with a fraction of the usual carbon footprint. Assembled by hand at home for an extra act of care built into the object.

Post borrows its proportions from Brutalism and its detailing from marquetry, the patient, centuries-old carpentry technique of fitting thin wood veneers into pattern. Built from FSC Mix-certified oak with hidden-mechanism doors that keep the facade unbroken.

A garden light that runs on sun. An integrated solar panel charges through the day; a twilight sensor switches the fixture on at dusk for about five hours. IP44.DE builds its luminaires to be repaired rather than replaced, with LEDs and components that can be swapped out over years of use.

Verpan brings back a long-archived designs rather than chasing novelty with the Series 270 F Armchair. Bent from FSC-certified birch plywood and offered in a range of colors in line with Verpan’s signature palette. It's a chair that argues against disposability by simply refusing to go out of style.

For most of its history, the shell chair has been a plastic object. Mat is Normann Copenhagen's answer to what else it could be. Developed over two decades of R&D, the shell is compression-molded from hemp fibers and eelgrass gathered from the Danish coastline where it naturally washes ashore. The result is a chair with the grain and warmth of a natural material, finished in VOC-free linseed oil, designed for disassembly, and engineered so that production scraps go back into the next run.

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Our Showroom

Styled showroom vignette with teal lounge chair, brown sofa, hanging lamps, and ambient light at A+R.

A+R Showroom at ROW

777 South Alameda Street
Los Angeles   90021

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