Elephant Side Table: Pure Oak
Elephant Side Table: Pure Oak
Elephant Side Table: Black Oak
Elephant Side Table: Black Oak
Elephant Side Table: Pure Oak
Elephant Side Table: Pure Oak
Elephant Side Table: Black Oak
Elephant Side Table: Black Oak
Elephant Side Table
Elephant Side Table
Elephant Side Table
Elephant Side Table
Elephant Side Table
Elephant Side Table
Elephant Side Table
Elephant Side Table
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Karimoku New Standard × Christian Haas

Elephant Side Table

$670

$670

SKU: KNS-T342CCZB

Average lead time: 10-12 weeks

$670

SKU: KNS-T342CCZN

Average lead time: 10-12 weeks


Description

Elephant Side Table complements designer Christian Haas’ upholstered Karimoku New Standard seating series with wooden legs. Adopting the same design spirit, the asymmetrical positioning of the column allows the table to be pulled close by for working on a laptop or a placing beverage. Fully constructed from Japanese chestnut timber, a sustainably grown hardwood, the table is available in a natural clear finish or stained black.

Specifications

Size

20.9" h x 16.5" dia (53x42cm)

Material

Chestnut

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Brand

Karimoku New Standard

It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.

The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”


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