Grid Shelves: 4 + Larch Veneer + High
Grid Shelves: 4 + Larch Veneer + High
Grid Shelves: 3 + Larch Veneer + High
Grid Shelves: 3 + Larch Veneer + High

Established & Sons × Ronan + Erwan Bouroullec

Grid Shelves

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800 – $7,700

$3,800

SKU: EST-7295

Average lead time: 13-15 weeks

$5,200

SKU: EST-7296

Average lead time: 13-15 weeks

$4,500

SKU: EST-7297

Average lead time: 13-15 weeks

$6,200

SKU: EST-7298

Average lead time: 13-15 weeks

$4,750

SKU: EST-7299

Average lead time: 13-15 weeks

$6,700

SKU: EST-7300

Average lead time: 13-15 weeks

$5,250

SKU: EST-7301

Average lead time: 13-15 weeks

$7,700

SKU: EST-7302

Average lead time: 13-15 weeks


Description

Designers Ronan & Erwan Bouroullec augment the flexibility of their room-with-a-room Grid stem with an elongated low bookcase unit, available with 2, 3, or 4 shelves. Framed in robust steel with a powder-coat finish, it has larch veneer panels on the sides. The top surface can be clad in the same larch veneer or in a high-pressure laminate. For larger configurations, multiple shelf units can even be linked to create one grand expanse.

Specification

Size

  • 2 Shelves
    • Low: 36.6" h x 78.7" w x 19.7" d (93x200x50cm)
  • 3 Shelves
    • Medium: 45.3" h x 78.7" w x 19.7" d (115x200x50cm)
    • High: 63" h x 78.7" w x 19.7" d (160x200x50cm)
  • 4 Shelves
    • High: 63" h x 78.7" w x 19.7" d (160x200x50cm)

Material

Powder-coated mild steel, plywood

Brand

Established & Sons

“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”

Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.

A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.

E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.

Designer

Ronan + Erwan Bouroullec

“There’s always teamwork in design,” says Erwan Bouroullec and he would know as half of the acclaimed creative duo with brother Ronan. “For most designers, the first time they have to explain or justify their work is to the manufacturer,” he says. “By then, we’ve spent weeks, maybe months, arguing over the tiniest details.” Born in Brittany, the brothers Bouroullec are among the brightest lights in European furniture design, heralded as the biggest French presence since 1980s icon Philippe Starck.

Fellow designer Jasper Morrison praises the brothers’ work as “thoughtful and disciplined, with a real spirit and poetry.” Recently awarded the prestigious London Design Medal, they’ve been showcased at venues as diverse as Los Angeles’ own Museum of Contemporary Art, Villa Noailles in Hyeres and the Victoria and Albert Museum in London. Their most successful design projects are often the most contentious, Ronan says. “Usually our work is strongest when we disagree, because that’s when we push each other to go further.”

Photo credit: ©Morgane Le Gall

 

 


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