Spin Candelabra: Regular
Spin Candelabra: Regular
Spin Candelabra: Mini
Spin Candelabra: Mini
Spin Candelabra: Regular
Spin Candelabra: Regular
Spin Candelabra: Mini
Spin Candelabra: Mini
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
Spin Candelabra
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Tom Dixon

Spin Candelabra

$750 – $1,100

$750

SKU: TD-SPT03

Average lead time: 4-6 weeks

$1,100

SKU: TD-SPT02

Average lead time: 4-6 weeks


Description

Inspired by the industrial age, Spin is a starkly kinetic candelabra made from cast iron, machined and finished entirely in Great Britain. Weighted arms swing around via cast ball bearings for infinite arrangements. In black powder coat to emphasize the distinctive silhouette, the candle holder's sockets can hold either tea lights or taper candles.

Specifications

Size

  • Mini: 15" h x 15.2" w x 4.7" d (38x38.5x12cm)
  • Regular: 21.7" h x 41.3" w x 41.3" d (55x105x105cm)

Material

Cast iron

Details

Made in United Kingdom

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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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