Pavilion Chair AV1: Oak + Black
Pavilion Chair AV1: Oak + Black
Pavilion Chair AV1: Black Oak + Black
Pavilion Chair AV1: Black Oak + Black
Pavilion Chair AV1: Lacquered Walnut (MTO) + Chrome
Pavilion Chair AV1: Lacquered Walnut (MTO) + Chrome
Pavilion Chair AV1: Lacquered Walnut + Black
Pavilion Chair AV1: Lacquered Walnut + Black
Pavilion Chair AV1: Black Oak + Black
Pavilion Chair AV1: Black Oak + Black
Pavilion Chair AV1: Lacquered Walnut + Black
Pavilion Chair AV1: Lacquered Walnut + Black
Pavilion Chair AV1
Pavilion Chair AV1
Pavilion Chair AV1
Pavilion Chair AV1
Pavilion Chair AV1
Pavilion Chair AV1
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&Tradition × Anderssen & Voll

Pavilion Chair AV1

$520 – $585

$520 – $585

$520 – $585

$520 – $585

$520 – $585

$520 – $585

$520

SKU: ATR-133834A249

Average lead time: 5-7 weeks

$520

SKU: ATR-133834A251

Average lead time: 5-7 weeks

$520

SKU: ATR-133834A247

Average lead time: 5-7 weeks

$565

SKU: ATR-133833A249

Average lead time: 5-7 weeks

$565

SKU: ATR-133833A251

Average lead time: 5-7 weeks

$585

SKU: ATR-133833A247

Average lead time: 5-7 weeks


Description

This graceful proto-chair in the Pavilion series from Norwegian designers Anderssen & Voll combines a slim metal frame with the gentle curvature of the wood veneer seat and back. Designed as stackable seating for Copenhagen's historic Langelinie Pavilion—with its view of Denmark's famed Little Mermaid—the chair was meant to contrast with the building's 1950s boxy modernism. "Usually tube chairs from this era are quite angular, with a certain rigidity," says Voll."We wanted a softer look," adds Anderssen. Their Pavilion AV1 is an enduring and practical option for both residential and contract use, with the frame in black powder-coat and a lacquered wood finish available in matte oak, blackened oak or walnut.

Specifications

Size

  • 29.9" h x 20.7" w x 19.7" d (76x52.5x50cm)
  • Seat height: 18.1" (46cm)

Material

Steel, form-pressed veneer, oak or walnut

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Brand

&Tradition

Design is never static. When Copenhagen-based &Tradition was established in 2010, founder Martin Kornbek Hansen's mission was to produce work that was defined by a unique vision, whether it came from Danish legends of the past or young innovators of the future. The roster extends from timeless luminaries such as Verner Panton and Arne Jacobsen to current leading lights Samuel Wilkinson and Norm.Architects to exciting new names Mia Hamborg and Victor Vetterlein. As the company's Kornbek Hansen puts it:  "We see a kinship between the old masters, who were avant-garde in their time, and new designers creating the ground-breaking icons of today."

With its library of furniture and lighting extending from the 1930s to the present day, the firm is uniquely positioned to carry on the Nordic tradition of unstinting craftsmanship and adroit use of materials. Nonetheless, &Tradition sees its future in global terms, handpicking design talent and production facilities internationally in an effort to continually produce relevant product and engage a new generation of conscious consumers.

Designer

Anderssen & Voll

"A good product builds and expands on tradition but at the same time, it breaks with tradition," say Anderssen & Voll, the Oslo-based design team that is consistently breaking new ground in the international design world. After 10 years of collaboration at the Norway Says design company which they cofounded, Torbjørn Andersen (born 1976) and Espen Voll (born 1965) began their eponymous firm in 2009 and have received repeated recognition for the wide range of their work in furniture, textiles, electronics, lighting and home accessories. Accolades include Norwegian and Scandinavian designers of the year, Wallpaper Award, IF Award and the Torsten and Wanja Söderberg Prize.

The studio's client list includes leading European names Muuto, Wrong for Hay, Foscarini, Kvadrat, Erik Jørgensen and Filip Technologies. However they also value collaborations closer to home, in the finest Norwegian tradition with Jøtul, Gudbrandsdalens Uldvarefabrik, Fjord Fiesta, Røros Tweed and LK Hjelle. "Change and elements of surprise stimulates thought and reflection–even for people who are not very interested in design and even if the change is not radical," they say. "That tiny second of reflection is the window of opportunity where we can communicate with the users and that is what we are looking for."


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