Spectrum Bench: High + Pure Oak
Spectrum Bench: High + Pure Oak
Spectrum Bench: High + Black Oak
Spectrum Bench: High + Black Oak
Spectrum Bench: Low + Black oak
Spectrum Bench: Low + Black oak
Spectrum Bench: Low + Pure Oak
Spectrum Bench: Low + Pure Oak
Spectrum Bench
Spectrum Bench
Spectrum Bench
Spectrum Bench
Spectrum Bench
Spectrum Bench
Spectrum Bench
Spectrum Bench
Spectrum Bench
Spectrum Bench

Karimoku New Standard × Geckeler Michels

Spectrum Bench

$1,865 – $2,110

$1,865 – $2,110

$1,865 – $2,110

$1,865 – $2,110

$1,865 – $2,110

$1,865

SKU: KNS-C3416EME-180

Contact info@aplusrstore.com for current lead times

$1,865

SKU: KNS-C3416EMB-180

Contact info@aplusrstore.com for current lead times

$2,110

SKU: KNS-C3416GME-220

Contact info@aplusrstore.com for current lead times

$2,110

SKU: KNS-C3416GMB-220

Contact info@aplusrstore.com for current lead times


Description

Designed for flexible working environments, Spectrum Bench is inspired by the minimalism of Japanese architecture and infused with the dynamic design sensibility of Berlin-based Geckeler Michels. The bench complements the Spectrum series tables or stands alone beautifully. Available in pure oak or black oak.

Specifications

Size

  • Low: 17.7"h x 70" w x 15.3" d (45x178x39cm)
  • High: 17.7"h x 85.8" w x 15.3" d (45x218x39cm)

Material

Oak

Brand

Karimoku New Standard

It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.

The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”


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