Beat Range Round Pendant System: White
Beat Range Round Pendant System: White
Beat Range Round Pendant System
Beat Range Round Pendant System
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Tom Dixon

Beat Range Round Pendant System

$2,870

$2,870

SKU: TD-BLPS02B-PUSM4

In stock and ready for quick ship!

$2,870

SKU: TD-BLPS02-PUSM4

In stock and ready for quick ship!

$2,870

SKU: TD-BLPS02WH-PUSM4

Average lead time: 4-6 weeks


Description

Featuring individual Beat Stout, Beat Tall, Beat Fat and Beat Wide pendants, Tom Dixon unveils a truly awe-inspiring round chandelier. Each individual light is made from a single hand-spun brass sheet sculpted by artisan craftsmen in Northern India and takes 4 days to complete. The golden hammered interior warms and refracts the illumination from the integrated LED while the outside is finished in a choice of the same brass or in contrasting black patina or glossy white finishes.

Specifications

Size

  • 54.7" h x 33.5" dia (139x85cm)
  • Canopy: 22.8" dia (58cm)

Material

Brass, gloss

Technical

  • Contact us for UL details
  • Dimmable
  • Integrated LED

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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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