Chesa Chair with Pad: Grey Green Oak

Chesa Chair with Pad: Terracotta

Chesa Chair with Pad: Pure Oak

Chesa Chair with Pad: Grain Grey Oak

Chesa Chair with Pad

Chesa Chair with Pad: Grey Green Oak

Chesa Chair with Pad: Terracotta

Chesa Chair with Pad: Pure Oak

Chesa Chair with Pad: Grain Grey Oak

Chesa Chair with Pad

Karimoku New Standard × Jörg Boner

Chesa Chair with Pad

Name: Chesa Chair with Pad
Brand: Karimoku New Standard • Jörg Boner
SKU: KNS-C3320BAE
Price: 1375.00 USD
Availability: InStock

$1,375

SKU: KNS-C3320BAE

$1,375

SKU: KNS-C3320BY972

$1,375

SKU: KNS-C3320BG943

$1,375

SKU: KNS-C3320BZ971

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Spec Sheet

Description

With its padded seat and back clad in Kvadrat’s Steelcut textile in one of 4 colorways to match its finely crafted solid-oak frame and bent plywood backrest, Chesa underscores the refined air of its calm and elegant design by Jórg Boner. As either a meeting or dining choice, the chair is distinctly characterized by the continuous curvature of the line that follows from the front legs to the backrest, making it a comfortable, cosseted space that also allows for sitting diagonally and facing conversation partners on each side.

Specifications

Size

29.9" h x 22.4" w x 20.3" d (76x57x51.5cm)
Seat height: 18.5" (47cm)

Material

Oak

Brand

Karimoku New Standard

It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.

The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”