Whirl Chandelier: Large - 62.6
Whirl Chandelier: Large - 62.6" + Gold
Whirl Chandelier: Large - 62.6
Whirl Chandelier: Large - 62.6" + Silver

Tom Dixon

Whirl Chandelier

$5,010 – $9,200

$5,010 – $9,200

$5,010 – $9,200

$5,010 – $9,200

$5,010 – $9,200

$5,010

SKU: TD-WHC01CH-CUSM4

Average lead time: 1-2 weeks

$5,010

SKU: TD-WHC01GO-CUSM4

Average lead time: 1-2 weeks

$9,200

SKU: TD-WHC02CH-CUSM4

Average lead time: 1-2 weeks

$9,200

SKU: TD-WHC02GO-CUSM4

Average lead time: 1-2 weeks


Description

The Whirl Chandelier by Tom Dixon transforms light and reflection into a sculptural statement. Concentric spirals of mirrored polycarbonate interact with illumination to cast shifting, abstract patterns that suggest motion. Finished in polished gold or silver, the piece has visual impact even when unlit. Compatible with leading- and trailing-edge dimmers, it delivers flexible ambience while reflecting Dixon’s ongoing exploration of light, material, and geometry.

Specifications

Size

  • Small: 38" h x 29.3" dia (96.5x74.4cm)
  • Large: 62.6" h x 74.8" dia (159x190cm)
  • Cord length: 196.9" (500cm)

Material

Polycarbonate, steel

Technical

  • UL listed
  • Color temperature: 3000K
  • Dimmable
  • Blub included

Details

Made in Denmark

Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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