Grid from the designer brothers Bouroullec is all about options and the collection's versatile café table offers either a round or square top. Expanding on the live-work flexibility of the room-within-a-room system for Established & Sons, it comes with a surface in resilient TriPly larch veneer or high-pressure laminate and sits on a powder-coated steel base. Delivered flat-packed, the parts are easily assembled and dismantled for moving as needed.
- Round: 28.5" h x 23.6" dia (72.5x60cm)
- Square: 28.5" h x 23.6" w x 23.6" d (72.5x60x60cm)
Powder-coated mild steel, plywood, high-pressure laminate, larch veneer triply
Established & Sons
“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”
Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.
A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.
E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.
Ronan + Erwan Bouroullec
“There’s always teamwork in design,” says Erwan Bouroullec and he would know as half of the acclaimed creative duo with brother Ronan. “For most designers, the first time they have to explain or justify their work is to the manufacturer,” he says. “By then, we’ve spent weeks, maybe months, arguing over the tiniest details.” Born in Brittany, the brothers Bouroullec are among the brightest lights in European furniture design, heralded as the biggest French presence since 1980s icon Philippe Starck.
Fellow designer Jasper Morrison praises the brothers’ work as “thoughtful and disciplined, with a real spirit and poetry.” Recently awarded the prestigious London Design Medal, they’ve been showcased at venues as diverse as Los Angeles’ own Museum of Contemporary Art, Villa Noailles in Hyeres and the Victoria and Albert Museum in London. Their most successful design projects are often the most contentious, Ronan says. “Usually our work is strongest when we disagree, because that’s when we push each other to go further.”
Photo credit: ©Morgane Le Gall