Established & Sons × Sebastian Wrong
$3,350 - $7,140
Lucio is the ideal seat to “take Zoom calls in comfort,” says Wallpaper magazine in citing its utility for working at home. Sebastian Wrong’s high-backed chair features an ergonomic foam body supported by sprung webbing that shapes to the user with ease. Ingeniously, the seat of the chair is connected to its tubular steel frame with its textile or leather cover. An optional pivoting side table holds a laptop or tablet. And, as the designer notes, “You don’t have to worry about your background or whether you’re going to end up with a sore neck.”
- 42.1'' h x 31.1'' w x 25.6'' d (107x79x65cm)
- Seat height: 16.5" (42cm)
Powder-coated steel, polyurethane foam, nylon
Additional upholstery options available upon request. Please contact us for more information at [email protected].
- Category 1: Moss
- Category 2: Melrose, Encircle
- Category 3: Planum, Plecto, Safire
- Category 4: Mosaic 2, Uniform Melange, Vidar 4
- Category 8: Roam, Superweave
- COM and COL are available on request
Established & Sons
“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”
Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.
A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.
E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.