Mauro Stacking Chair: Upholstered + Oiled Oak
Mauro Stacking Chair: Upholstered + Oiled Oak
Mauro Stacking Chair: Upholstered
Mauro Stacking Chair: Upholstered + Oiled Oak
Mauro Stacking Chair: Upholstered + Oiled Oak
Mauro Stacking Chair: Upholstered
Established & Sons × Mauro Pasquinelli
Mauro Stacking Chair: Upholstered
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
$720
–
$1,060
Description
The Mauro Stacking Chair is a reinterpretation of a late-20th-century Italian prototype, realized with precision manufacturing. Its frame is crafted from solid ash, oak, or walnut, combining structural strength with clean, angular lines. Designed to stack up to six high, it is practical for both residential and commercial spaces.
Specifications
Size
- 30.3" h x 20.2" w x 19.2" d (77x51.5x49cm)
- Seat height: 18" (45cm)
Material
Walnut, oak, solid ash, silicone, polyurethane foam, Teflon
Details
- Category 1: Medley, Gir
- Category 2: Connect, Murmur, Remix 3
- Category 3: Cyber, Fame, Encircle, Twill Weave, Beck
- Category 4: Vidar 4
- Category 5: Hearth
- Category 7: Flurry
- Leather 1: Haku
- COM and COL are available on request
Brand
Established & Sons
“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”
Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.
A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.
E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.
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