Here’s a piece of furniture so ahead of the curve it can take 10 years off its age. Dubbed “62” but actually designed in 1952 by Greta M. Grossman, it has a light presence owing to its somewhat quirky asymmetric line and slender metal legs that balance on small feet. Crafted in American walnut with a black gloss finish on the tabletop and door of the left-positioned cabinet, revealing a pair of shallow drawers and deeper one for files.
28.3" h x 47.2" w x 23.6" d (72x120x60cm)
Walnut veneer, high-gloss laminate, powder-coated black
Design is an unceasing continuum, believes this Danish house, now owned by a second generation. Owner and creative director Jacob Gubi Olsen inherited the helm from his parents Gubi and Lisbeth Larson, who founded the business to showcase their postmodern furniture. Under Jacob’s watch, Gubi added a global focus to its roots in Copenhagen, with a cosmopolitan array of furniture, lighting and interior objects.
Alongside 20th Century icons such as Robert Dudley Best and Greta Magnusson-Grossman, the design house has championed a new wave of design studios including GamFratesi, Space Copenhagen and OeO Studio. “I started out with two very strong designs, Bestlite—a Bauhaus collection designed in 1930—and Gubi Chair, designed in 2003. I felt they had something in common,” says Jacobs. “Iconic appearance, functional design, high quality, aesthetic design language and adaptable for many different kinds of interiors. I took these values as a guideline for any new designs added to the collection ever since.”