This chair stacks up. Literally. Up to 6 Castor Chairs can be stacked at a time. Even without such a feature, this 4-legged little marvel by Swiss design firm Big-Game for Japanese heritage brand Karimoku New Standard is worth a sit. Unveiled during Milan design week 2012, the seat is made of Japanese oak and beautifully crafted, joined by innovative technology and old school ingenuity. The back is wide and curved to provide comfort and support. The finish alone, beautiful. We love stacking different finishes together.
Big-Game is only among the latest to join KNS. Some 70 years into producing quality furniture with a Midcentury sensibility, Japanese brand Karimoku decided in 2009 to write a new chapter in design by engaging in collaboration with a young crop of international talent and rechristening itself as Karimoku New Standard. Solid Japanese hardwoods such as maple, chestnut and oak are the basis of a line informed by a cultural understanding of craftsmanship coupled with innovative technologies in terms of manufacturing and sustainability. To preserve and revitalize Japanese forests, the hardwood used is from low-diameter trees, long underused.
Based in Lausanne, Switzerland, Big-Game is a product, furniture and interior design studio helmed by native Grégoire Jeanmonod and French expat Augustin Scott de Martinville and Belgium expat Elric Petit. Besides KNS, they have designed for Praxis, Alessi, Materia and Globe Trotter.
31.75" h x 16.75" w x 20" d (80.7x42.4x50.6cm)
Seat: 18" h (45.7cm)
Sustainably-sourced Japanese oak
Made in Japan
Karimoku New Standard
A traditional Japanese maker of wood furniture for 70-odd years, Karimoku turned an exciting new page when it relaunched in 2009 with an international roster of contributing designers as Karimoku New Standard. The reboot was twofold—to create modern pieces using its heritage of Japanese craftsmanship techniques and to revitalize native forests by targeting significantly undervalued hardwoods. That precious resource, from low-diameter chestnut, maple and oak trees, had previously ended up mostly as wood chips for paper pulp.
Meanwhile, the design world was gobsmacked by the company’s splendidly functional, often joyously colored furnishings emanating from its collaborating partners. From European, Scandinavian and Japanese creative talents, they include Swedish studio TAF, the Swiss team Big-Game and cult Dutch design duo Scholten & Baijings. The revived Karimoku concept, termed “high-tech and high-touch” by brand creative director David Glaettli, melds the latest technology with unstinting hand-finishing for a truly collectable array of refreshingly unique standouts.