Spectrum Table: Large - 94.5
Spectrum Table: Large - 94.5" + Black Oak
Spectrum Table: Large - 94.5
Spectrum Table: Large - 94.5" + Pure Oak
Spectrum Table
Spectrum Table
Spectrum Table
Spectrum Table
Spectrum Table
Spectrum Table

Karimoku New Standard × Geckeler Michels

Spectrum Table

$2,755 – $3,910

$2,755 – $3,910

$2,755 – $3,910

$2,755 – $3,910

$2,755 – $3,910

$2,755 – $3,910

$2,755

SKU: KNS-D345BCM167

Average lead time: 10-12 weeks

$2,755

SKU: KNS-D345BCE167

Average lead time: 10-12 weeks

$3,040

SKU: KNS-D345BCM197

Average lead time: 10-12 weeks

$3,040

SKU: KNS-D345BCE197

Average lead time: 10-12 weeks

$3,910

SKU: KNS-D345BCM247

Average lead time: 10-12 weeks

$3,910

SKU: KNS-D345BCE247

Average lead time: 10-12 weeks


Description

Designed by Berlin-based studio Geckeler Michels, the Spectrum Table is constructed from solid Japanese oak and is available in black or pure oak. The table can be used in dynamic work environments or as a dining table. The largest size comfortably seats up to six people and comes flat-packed for easy assembly, with the bracing already in place under the tabletop. Offered in 3 sizes.

Specifications

Size

  • Small: 29.3" h x 65" w x 31.5" d (74.5x165x80cm)
  • Medium: 29.3" h x 74.8" w x 31.5" d (74.5x190x80cm)
  • Large: 29.3" h x 94.5" w x 37.4' d (74.5x240x95cm)

Material

Oak

Brand

Karimoku New Standard

It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.

The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”


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