Beat Range Linear Pendant System
Beat Range Linear Pendant System
Beat Range Linear Pendant System
Beat Range Linear Pendant System

Tom Dixon

Beat Range Linear Pendant System

$3,636 $4,545

$3,636 $4,545

SKU: TD-BLPS03B-PUSM4

Average lead time: 4-6 weeks

$3,636 $4,545

SKU: TD-BLPS03-PUSM4

Average lead time: 4-6 weeks

$3,636 $4,545

SKU: TD-BLPS03WH-PUSM4

Average lead time: 4-6 weeks


Description

Tom Dixon unveils an extraordinary linear chandelier featuring a double dose of Beat Tall, Beat Fat and Beat Wide pendants. Fashioned by artisan craftsmen in Northern India, each lamp is made from hand-spun brass and finished in an age-old process with the mark of each maker. With warm luminosity, its integrated LED modules yield longer life, energy efficiency and superior performance (with dimmability); it's also fully serviceable with replacement components and individual drivers available if needed.

Specifications

Size

  • 39" h x 61.4" w x 12.6" d (99x156x32cm)
  • Fat: 11.9" h x 9.4" dia (30x24cm)
  • Tall: 14.2" h x 7.5" dia (36x19cm)
  • Wide: 6.3" h x 14.2" dia (16x36cm)
  • Canopy: 61.8" w x 9.4" d (157x24cm)
  • Cable length: 98.4" (250cm)

Material

Powder-coated or lacquered brass

Technical

  • Contact us for UL details
  • G9
  • Color temperature: 3000K
  • Dimmable
  • Bulb not included

Details

Made in India

Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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