Round 25: Black
Round 25: Black
Copper Pendant Collection
Copper Pendant Collection
Round 45: Copper
Round 45: Copper
Round 45: Black
Round 45: Black
Round 25: Copper
Round 25: Copper
Wide: Copper
Wide: Copper
Wide: Black
Wide: Black
Copper Pendant Collection
Copper Pendant Collection
Copper Pendant Collection
Copper Pendant Collection
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Copper Pendant Collection

$460
SKU: TD-MSS02RBKUL
Style
Color
Average lead time: 4-6 weeks


Description

A shining star of British design, Tom Dixon uses an inventive process to create his mirrored Copper lighting collection. By exploding a thin layer of pure metal onto the internal surface of a polycarbonate globe, the light's rounded form emerges—with its highly reflective surface casting a warm metallic glow. Based on the familiar sphere shape, the series includes 2 Round versions as well as the compressed Wide and elongated Tall to accommodate lower ceiling heights or narrow hallways. Striking singly as a focal point or in clusters to multiply the drama.

Specifications

Size

  • Round 25: 8.25" h x 9.75" dia (21x25cm)
  • Round 45: 8.75" h x 19.75" dia (22x50cm)
  • Wide: 8.75" h x 19.75" dia (22x50cm)
  • Cable: 98.5" l (250cm)

Material

Polycarbonate

Details

Ceiling rose in 5" dia copper included

Technical

Bulb (not included): E12 40W max (Round 25/Tall pendants), E26 60W max (Round 45/Wide pendants)

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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” says self-taught British designer Tom Dixon. “I just have ideas and I want to see what happens if I put them out there.” Tom’s errant first stab at creativity was playing bass in a 1980s disco group. Then a stint honing his welding skills in a auto body repair shop eventually led to his design breakthrough for Cappellini with the iconic S Chair. With products in more than 60 countries today, his contemporary lighting, furniture, tabletop and barware ranges and accessories have been “put out there” to wide acclaim.

Based in Portobello, London, the Tom Dixon brand launches new collections of lighting and furniture biannually in Milan and London. “What’s interesting about the modern world [is that] you don’t need to attract large amounts of people globally to be a successful designer,” Tom says. “You can be quite focused and do specific work and people will come to you if they’re attracted to it.”


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