With his Wingback Chair, the irrepressible Tom Dixon puts a rakish spin on the heretofore rather sober British classic. Inspired by that 17th century archetype, the designer delivers a sinuous and extravagantly scaled upholstered form. With a frame that has been retooled for industrial production and an ergonomically considered hard polyurethane foam shell for added lumbar support. In a range of colors and Kvadrat fabrics with chair legs in solid natural or black oak and copper-plated steel. An elegant domestic sculpture, fit for making an impressive statement in either home interiors or contract environs.
50" h x 29" w x 38.25" d (120x73.8x97cm)
Seat height: 18.25" (46.5cm)
Steel, foam, upholstery, wood
Upholstery Group A: Hero
Upholstery Group B: Divina 3, Divina Melange 2, Steelcut 2, Steelcut Trio 2, Tonus 4
Upholstery Group C: Hallingdal 65, Divina MD, Melange Nap, Tonica 2, Gentle
Upholstery Group D: Elmo Soft Leather, Elmo Nubuck Leather
Contact us for more information on available upholstery options
“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.
Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.