Randaccio Wall Mirror: Large - 27.6"
Randaccio Wall Mirror: Medium - 23.6"
Randaccio Wall Mirror: Small - 16.5"
Randaccio Wall Mirror: Large - 27.6"
Randaccio Wall Mirror: Medium - 23.6"
Randaccio Wall Mirror: Small - 16.5"
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Randaccio Wall Mirror: Large - 27.6"
Randaccio Wall Mirror: Large - 27.6"
Randaccio Wall Mirror: Medium - 23.6"
Randaccio Wall Mirror: Medium - 23.6"
Randaccio Wall Mirror: Small - 16.5"
Randaccio Wall Mirror: Small - 16.5"
Randaccio Wall Mirror: Large - 27.6"
Randaccio Wall Mirror: Large - 27.6"
Randaccio Wall Mirror: Medium - 23.6"
Randaccio Wall Mirror: Medium - 23.6"
Randaccio Wall Mirror: Small - 16.5"
Randaccio Wall Mirror: Small - 16.5"
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Gubi × Gio Ponti

Randaccio Wall Mirror

$899 - $1,499



Description

From Italian master Gio Ponti, this antique brass mirror was originally designed for his first architectural project, his very own home. Named Randaccio for the Milan street where he lived, it decorated his bedroom alongside other furniture designed for the room. Characterized by its atypical crown-like flourish on the top, a signature Ponti detail, the mirror lends its personality to a bedroom, bath or hallway.

Specifications

Size

  • Small: 18.8" h x 16.5" dia (47.8x42cm)
  • Medium: 26" h x 23.6" dia (66x60cm) 
  • Large: 30" h x 27.6" dia (76.2x70cm)

Material

Brass, mirror glass

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Brand

Gubi

Design is an unceasing continuum, believes this Danish house, now owned by a second generation. Owner and creative director Jacob Gubi Olsen inherited the helm from his parents Gubi and Lisbeth Larson, who founded the business to showcase their postmodern furniture. Under Jacob’s watch, Gubi added a global focus to its roots in Copenhagen, with a cosmopolitan array of furniture, lighting and interior objects.

Alongside 20th Century icons such as Robert Dudley Best and Greta Magnusson-Grossman, the design house has championed a new wave of design studios including GamFratesi, Space Copenhagen and OeO Studio. “I started out with two very strong designs, Bestlite—a Bauhaus collection designed in 1930—and Gubi Chair, designed in 2003. I felt they had something in common,” says Jacobs. “Iconic appearance, functional design, high quality, aesthetic design language and adaptable for many different kinds of interiors. I took these values as a guideline for any new designs added to the collection ever since.”


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